Film submission and selection decision
Festival staff record the submission, material version and review status. After selection, the programming team checks screening permission, the exhibition copy and the agreed screening date.
Custom Development
The programming team needs to link film submissions to selection decisions, screening materials and guest accreditation. We’ll design a CRM for selection and festival logistics, with separate workspaces for reviewers, the press office and venue coordinators.
These modules can be included in the project. We’ll agree on the scope and workflow rules after reviewing your processes.
Festival staff record the submission, material version and review status. After selection, the programming team checks screening permission, the exhibition copy and the agreed screening date.
Programming tracks the authorized film version, subtitles and file readiness. A venue change creates a task to check the new venue’s requirements.
The coordinator links the guest’s application to an access category and confirmed screenings. The accreditation desk checks pass status without seeing the jury’s internal notes.
How teams can divide responsibilities and handle exceptions after rollout.
The programming coordinator moves the screening to another theater. The press and technical teams are assigned to check the listings and the screening copy.
In the film record, the coordinator links the director to the screening and discussion. Once approved, the press office sees her public biography, and logistics sees the arrival arrangements.
We’ll start with one festival section. Reviewers assess submissions, programming approves the slot, and the press office receives material cleared for publication. The pilot will cover replacing a screening copy and moving a screening after the schedule is announced.
Once we agree on the requirements, we design the screens, build a pilot, and try it against the agreed use cases. We plan the rollout and follow-on modules with your team.
Discuss the First PhaseThe festival sets the rules. Scores can become visible after all reviews are submitted or remain accessible only to the program director.
A film record can have separate screenings with their own venues, times, subtitle languages and staff responsible for checking the copy.
We’ll match submissions, file versions and reviewer assignments. On a sample, festival staff will check which version was available for review, and programming will confirm decisions and linked screenings. We’ll migrate copy links with their agreed permissions.
We’ll review one section from submission through screening and pass collection. The estimate depends on selection stages, access to materials, ticketing integration and the number of venues. In the pilot, we’ll check how a venue change reaches the technical team, press office and box office.
Tell us your industry, describe one process you want to automate, and let us know which tools your team already uses.